Date: Tue, 13 Feb 1996 01:46:03 -0800 From: "Thomas L. Clark" Subject: Re: Segmentals, Suprasegmentals, & Xylophones (Huh? Howzat?)) Sorry. I assumed you realized I was discussing suprasegmentals (though my students thank you for the mini-lecture). We have been fooling around with sound spectrographic analyses of suprasegmentals and associating phonetic (not phonemic) features with instrumental sounds (such as, "How does a trumpet wail," or "Why does a pan pipe keen?") The xylophone of Prfessor Higgins (Professor Henry Sweet) was simply another query. Sorry to have taken your time. Cheers, tlc Thomas L. Clark 702/895-3473 University of Nevada, Las Vegas (89154-5011) tlc[AT SYMBOL GOES HERE]nevada.edu On Mon, 12 Feb 1996, Samuel Jones wrote: > To: Thomas L. Clark > > Your question has not been forgotten, nor is it being ignored. Your > inquiry is, to say the least, intriguing, and it piques my curiosity. > > I reckon I ought to sit a spell and think on it before attempting to reach > a conclusion or two about any possibly-relevant similarities between > > 1) musical harmonics (the mathematical building blocks of all musical tones > except "pure" tone generator sounds), along with musical tones' > > 2) amplitude or volume, duration, timbre or quality, and pitch, > > AND those aspects of speech involving more than just individual vowels or > consonants (i.e.,SEGMENTALS), which are called > > SUPRASEGMENTALS, whose main characteristics are accent or stress, length, > even juncture**, plus tone/pitch, and intonation, or the pattern of "pitch > changes" that occurs in a sentence,such as Eliza Doolittle's line, > > "How NICE of You to Let me Come." > > (** JUNCTURE can mean either the mode of relationship or the manner of > transition > between two consecutive speech sounds.) > > As I re-read the above paragraph, which I am not altogether certain makes > complete > sense, even to me, I realize that the answer to your question may be far more > complex and involved than I at first thought. Nonetheless, "Hope is but a word, > but of all words, the only sentinel of permanence!" > > Research and investigating a challenge is a lot like peeling an onion - one > takes > off layer after layer of the problem, shedding a lot of tears in the > process; and, > at the end there is nothing left - but one is still shedding tears. > > smj > > > > > > ____________________________________________________________________________ > DR. SAMUEL M. JONES INTERNET: smjones1[AT SYMBOL GOES HERE]facstaff.wisc.edu > Prof. of Music & Latin American Studies TELNET: samjones[AT SYMBOL GOES HERE]macc.wisc.edu > 5434 Humanities Building FAX: 608 + 262-8876 (UW) > 455 North Park Street > __________________________________________ > University of Wisconsin-Madison TELEPHONES: 608 + 263-1900 (UW-Lv. message) > Madison, WI 53706-1483 * 608 + 263-1924 * (UW-Office - > * VOICE MAIL--Lv message) > > ____________________________________________________________________________ > "Pen-y-Bryn" TELEPHONES: 608 + 233-2150 (Home) > 122 Shepard Terrace 608 + 233-4748 (Home) > Madison, WI 53705-3614 > ____________________________________________________________________________ >